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The Village Vanguard in New York City, 2018. The Village Vanguard is a jazz club at Seventh Avenue South in Greenwich Village, New York City. The club was opened on February 22, 1935, by Max Gordon. Originally, the club presented folk music and beat poetry, but it became primarily a jazz music venue in 1957. It has hosted many highly renowned ...
Jazz club owner. Known for. Jazz advocacy. Village Vanguard. Notable credit. NEA Jazz Master. Website. villagevanguard.com. Lorraine Gordon (née Stein; October 15, 1922 – June 9, 2018) was an American jazz music advocate, the owner of the Village Vanguard jazz club in Greenwich Village, New York City, and the author of a memoir on jazz music.
Occupation. Jazz club owner. Known for. Jazz promotion. Village Vanguard. Website. villagevanguard.com. Max Gordon (March 12, 1903 – May 11, 1989) [1][2] was an American jazz promoter and founder of the Village Vanguard jazz club in New York City.
Since the death of Lewis in 1990 it has been known as the Vanguard Jazz Orchestra. They have maintained a Monday-night residency at the Village Vanguard jazz club in New York for five decades. [2] The band won Grammy Awards for the album Live in Munich in 1978 and for the album Monday Night Live at the Village Vanguard in 2009.
New York is home to several major jazz clubs, including Birdland, Sweet Rhythm (formerly Sweet Basil), Village Vanguard, and The Blue Note, the latter being one of the premier spots for jazz lovers. There was a time—now long gone—when 52nd Street in Manhattan, with its numerous clubs, was one of the epicenters of jazz.
Jim McNeely was born in Chicago, Illinois. He earned a Bachelor of Music degree from the University of Illinois, and moved to New York City in 1975. In 1978, he joined the Thad Jones/Mel Lewis Big Band. He spent six years as a featured soloist with that band and its successor, Mel Lewis and the Jazz Orchestra (now the Vanguard Jazz Orchestra).
The Half Note was a jazz club in New York City, New York that flourished in two Manhattan locations – from 1957 to 1972 in SoHo (then known as the Village) at 289 Hudson Street at Spring Street and from 1972 to 1974 in Midtown at 149 West 54th Street, one block west of the Museum of Modern Art.
The AllMusic review by Richard S. Ginell awarded the album 4 stars, noting: "This was the recording debut of the Adderley Sextet, with Cannonball waxing eloquently and swingingly on alto, brother Nat charging ahead on cornet, and the versatile Yusef Lateef (who had joined the band only three weeks earlier) adding a bit of an edge on tenor, flute, and unusually for a jazz wind player, oboe on ...