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KUVO (89.3 MHz) is a non-profit FM radio station broadcasting mainly jazz music in a public radio format. Licensed to Denver, Colorado, KUVO is owned by Rocky Mountain Public Media Inc. KUVO's mission is to "provide distinctive music, news and informational programming reflecting the values and cultural diversity of their listener community."
Through spontaneous conversations and performances, the film highlights the jazz scene of Denver, Colorado and considers jazz as a dynamic art form. Synopsis [ edit ] JazzTown features interviews with over 50 Colorado jazz musicians, including Freddy Rodriguez Sr. , Charles Burrell , Dianne Reeves , and Ron Miles .
KCME programs a wide variety of jazz on its HD-2 subchannel, which also feeds a translator station, 93.5 MHz K228EM. It is branded as Jazz 93.5, and is a sister station of KCME. Originally KCME aired jazz on Saturday mornings and Saturday evenings during the first 26 years it was on the air.
The Penguin Guide to Jazz Recordings [ 2 ] Complete Live at the Spotlite Club 1958 is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at the Spotlight club in Washington D.C. in 1958, some of which were originally released on the albums Ahmad Jamal Trio Volume IV and Portfolio of Ahmad Jamal on the Argo label.
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Kuumbwa Jazz Center, Downtown Santa Cruz [4] [1]: 5 Maybeck Recital Hall, Berkeley [4] Mr. Tipple's Recording Studio, San Francisco [1]: 5 Jazz Workshop, San Francisco; SF Jazz Center, San Francisco; Yoshi's Jazz Club, Jack London Square, Oakland [1]: 5
"Nica's Dream" is a jazz standard [1] composed by Horace Silver in 1954. It is one of many songs written in tribute to jazz patroness Pannonica de Koenigswarter. [2] The song was first recorded by the Jazz Messengers in 1956, and has since been recorded by many other artists. It features jazz melodic minor harmony with prominent minor-major 7th ...
A jazz kissa's book collection containing copies of Swing Journal. In 1950s Japan, live jazz performances were rare as were locally produced jazz records. [13] Instead, records had to be imported from America at prohibitively expensive prices that, while too costly for most individuals, jazz kissa would pay.