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Emmet Cohen was born in Miami, Florida. [1] He began studying piano at the age of three using the Suzuki method. [2] Cohen was raised in Montclair, New Jersey, and attended Montclair High School. [3] While in high school, he was a part of The Gibson/Baldwin Grammy Jazz Ensemble where he met future collaborators Bryan Carter, Benny Benack III ...
Between the 1930s and 1950s, the biguine, a style of jazz from the French Caribbean was popular among dance orchestras. Lacking recognition at home, several biguine artists from Martinique moved to mainland France, where they achieved greater popularity in Paris, especially in the wake of the colonial exhibition in 1931.
Johnny Dodds. Johnny Dodds ( / ˈdɒts /; April 12, 1892 – August 8, 1940) [2] was an American jazz clarinetist and alto saxophonist based in New Orleans, best known for his recordings under his own name and with bands such as those of Joe "King" Oliver, Jelly Roll Morton, Lovie Austin and Louis Armstrong. Dodds was the older brother of ...
1948–present. Website. theoneoclock .com. One O'Clock Lab Band is an ensemble of the Jazz Studies division at the University of North Texas College of Music in Denton, Texas. Since the 1970s, the band's albums have received seven Grammy Award nominations, including two for Lab 2009. Steve Wiest directed the band from 2008 to 2014. [1]
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Giordano Dance Chicago performing Feelin' Good Sweet in 2014. Giordano Dance Chicago, formerly Giordano Jazz Dance Chicago and Gus Giordano's Jazz Dance Chicago, is a jazz dance company based in Chicago, Illinois. [1] Founded by Gus Giordano in 1963 as Dance Incorporated Chicago, it has toured worldwide, including as the first jazz dance ...
Leonard Joseph Tristano (March 19, 1919 – November 18, 1978) was an American jazz pianist, composer, arranger, and teacher of jazz improvisation. Tristano studied for bachelor's and master's degrees in music in Chicago before moving to New York City in 1946. He played with leading bebop musicians and formed his own small bands, which soon ...
1950s in jazz. By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly ...