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  2. F-flat major - Wikipedia

    en.wikipedia.org/wiki/F-flat_major

    F-flat major (or the key of F-flat) is a theoretical key based on F ♭, consisting of the pitches F ♭, G ♭, A ♭, B double flat, C ♭, D ♭, and E ♭. Its key signature has one double flat and six flats. [1] The F-flat major scale is: Its relative minor is D-flat minor, usually replaced by C-sharp minor (see reason below) and its ...

  3. Coltrane changes - Wikipedia

    en.wikipedia.org/wiki/Coltrane_changes

    See media help. In the standard Coltrane change cycle the ii–V–I is substituted with a progression of chords that cycle back to the V–I at the end. In a 44 piece, each chord gets two beats per change. Coltrane developed this modified chord progression for "Countdown", which is much more complex.

  4. Category:Jazz compositions in F major - Wikipedia

    en.wikipedia.org/wiki/Category:Jazz_compositions...

    W. Watermelon Man (composition) Weary Blues. Categories: Compositions in F major. Jazz compositions by key.

  5. Backdoor progression - Wikipedia

    en.wikipedia.org/wiki/Backdoor_progression

    The notes A ♭ and F serve as upper leading-tones back to G and E (when the chord moves to the tonic, C major), respectively, rather than B ♮ and F serving as the lower and upper leading-tones to C and E in a conventional G7-C major (V7-I) cadence. A backdoor IV-V is also possible, moving from ♭ VI M7 to ♭ VII 7 to I. This is also ...

  6. Tritone substitution - Wikipedia

    en.wikipedia.org/wiki/Tritone_substitution

    A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7 [7] (which could also be called ♭ V 7 /V, subV 7, [7] or V 7 / ♭ V [7] ).

  7. Rhythm changes - Wikipedia

    en.wikipedia.org/wiki/Rhythm_changes

    Rhythm changes. Rhythm changes is a common 32- bar jazz chord progression derived from George Gershwin 's "I Got Rhythm". The progression is in AABA form, with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 ...

  8. Oranges & Lemons (album) - Wikipedia

    en.wikipedia.org/wiki/Oranges_&_Lemons_(album)

    Unlike many other XTC songs, he instructed a specific bass part to Moulding: "Colin had to work very hard to get that bass line. It's very precise. It took me a long time to work it out, because I wanted to get into the J.S. Bach mode of each note being the perfect counterpoint to where the chords are and where the melody is. The bass is the ...

  9. Jazz harmony - Wikipedia

    en.wikipedia.org/wiki/Jazz_harmony

    Jazz harmony is the theory and practice of how chords are used in jazz music. Jazz bears certain similarities to other practices in the tradition of Western harmony, such as many chord progressions, and the incorporation of the major and minor scales as a basis for chordal construction. In jazz, chords are often arranged vertically in major or ...