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Cafêzz was formed in San Juan, Puerto Rico during the summer of 2014 by pianist Carmen Noemí and bassist Edgardo "Egui" Sierra, after completion and release of their Music & Friends CD. Their first formal performance was on August 13, 2014, during the Music & Friends release party [1][2] at Downtown Bar & Grill in Hato Rey, Puerto Rico.
In recent years, Gisbert has become an active and highly respected jazz educator, teaching at festivals and conducting clinics across the United States. He also had two stints on the Jazz faculty at the University of Miami in the 2000s. He has also branched out in producing; bringing the up-and-coming conductor and composer, Chie Imiazumi, to ...
International Jazz Day is an International Day declared by the United Nations Educational, Scientific and Cultural Organization in 2011 "to highlight jazz and its diplomatic role of uniting people in all corners of the globe." [1] It is celebrated annually on April 30. [2] The idea came from jazz pianist and UNESCO Goodwill Ambassador Herbie ...
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Jazz Jennings (born October 6, 2000) [1] is an American YouTube personality, spokesmodel, television personality, and LGBT rights activist. [2][3] Jennings is one of the youngest publicly documented people to be identified as transgender. [3] Jennings received national attention in 2007 when an interview with Barbara Walters aired on 20/20 ...
Bradford Alexander Mehldau (/ ˈmɛlˌdaʊ /; born August 23, 1970) is an American jazz pianist, composer, and arranger. Mehldau studied music at The New School, touring and recording while still a student. He was a member of saxophonist Joshua Redman 's quartet in the mid-1990s, and has led his own trio since the early 1990s.
Acid jazz often contains various types of electronic composition (sometimes including sampling or live DJ cutting and scratching), but it is just as likely to be played live by musicians, who often showcase jazz interpretation as part of their performance. Richard S. Ginell of AllMusic considers Roy Ayers "one of the prophets of acid jazz". [211]
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...