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Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic to semi-acoustic guitar and ...
The Incredible Jazz Guitar of Wes Montgomery is an album by the American jazz guitarist Wes Montgomery. Most of its tracks exemplify two of Montgomery's distinguishing techniques: "thumb picking" and the use of octaves. In 2017, the album was selected for the National Recording Registry by the Library of Congress as "culturally, historically ...
Attila Zoller. Categories: Free jazz musicians by instrument. Jazz guitarists by genre.
Category. : Women jazz guitarists. This is a non-diffusing subcategory of Category:Jazz guitarists. It includes jazz guitarists that can also be found in the parent category, or in diffusing subcategories of the parent.
Free jazz musicians make use of free improvisation to alter, extend, or break down jazz convention, often by discarding fixed chord changes, tempos, melodies, or phrases. Ornette Coleman was an early and noted advocate of this style. 1950s -> Gypsy jazz: A style of jazz music often said to have been started by guitarist Jean "Django" Reinhardt ...
For a list of the core jazz standards, see the following lists by decade: Before 1920. 1920s. 1930s. 1940s. 1950s and later. For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes . This article includes a list of related items that share the same name (or ...
Philip Catherine, International Jazz Festival, Prague, Lucerna Music Hall, 21 October 1984. Philip Catherine was born in London, England, to an English mother and Belgian father, [ 1] and was raised in Brussels, Belgium. His grandfather was a violinist in the London Symphony Orchestra.
According to a 2005 JazzTimes article, the first song he learned on guitar was Dylan's "Like a Rolling Stone", which he would later play at a guest appearance with Dylan. [1] He discovered jazz when he was sixteen through the music of guitarists Wes Montgomery, George Benson, John McLaughlin, and Pat Martino. [2]