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Donna Lee. "Donna Lee" is a jazz standard tune attributed to Charlie Parker, although Miles Davis has also claimed authorship. [1][2] Written in A-flat, it is based on the chord changes of the jazz standard "(Back Home Again in) Indiana". [1] Beginning with an unusual half-bar rest, "Donna Lee" is a very complex, fast-moving chart with a ...
Jazz chord. Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [1] For example, if a tune is in the key of C ...
Tal Farlow at Keystone Korner, San Francisco, playing with Red Norvo, July 28, 1981. Talmage Holt Farlow was born in Greensboro, North Carolina, United States. [2] He taught himself how to play guitar, which he started when he was 22 years old. [4] He learned chord melodies by playing a mandolin tuned like a ukulele.
When jazz guitar players improvise, they use the scales, modes, and arpeggios associated with the chords in a tune's chord progression. The approach to improvising has changed since the earliest eras of jazz guitar. During the Swing era, many soloists improvised "by ear" by embellishing the melody with ornaments and passing notes.
For instance, in C major, a jazz musician may alter the V chord, G 7 (G–B–D–F), with a flattened fifth, producing the chord G 7 ♭ 5 (G–B–D ♭ –F). An improviser might then choose a scale containing these four notes, such as the G whole tone scale, the G octatonic scale, or a mode of either D or A ♭ melodic minor ascending.
In 1963, Roberts recorded Color Him Funky and H.R.Is a Dirty Guitar Player, his first two albums after signing with Capitol.Produced by Marshall, they both feature the same quartet with Roberts (guitar), Chuck Berghofer (bass), Earl Palmer (drums) and Paul Bryant alternating with Burkley Kendrix on organ. [5]
The Incredible Jazz Guitar of Wes Montgomery is an album by the American jazz guitarist Wes Montgomery. Most of its tracks exemplify two of Montgomery's distinguishing techniques: "thumb picking" and the use of octaves. In 2017, the album was selected for the National Recording Registry by the Library of Congress as "culturally, historically ...
Backdoor compared with the dominant (front door) in the chromatic circle: they share two tones and are transpositionally equivalent. In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker.