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Archaeology delivers traces of dance from prehistoric times such as the 10,000-year-old Bhimbetka rock shelters paintings in India and Egyptian tomb paintings depicting dancing figures from c. 3300 BC. Many contemporary dance forms can be traced back to historical, traditional, ceremonial and ethnic dances of the ancient period.
The etymology of the word "ballet" reflects its history. The word ballet comes from French and was borrowed into English around the 17th century. The French word in turn has its origins in Italian balletto, a diminutive of ballo (dance). Ballet ultimately traces back to Italian ballare, meaning "to dance". [ 2]
The most documented form of secular dance during the Middle Ages is the carol also called the "carole" or "carola" and known from the 12th and 13th centuries in Western Europe in rural and court settings. [ 2] It consisted of a group of dancers holding hands usually in a circle, with the dancers singing in a leader and refrain style while ...
Theatrical dance, also called performance or concert dance, is intended primarily as a spectacle, usually a performance upon a stage by virtuoso dancers. It often tells a story, perhaps using mime, costume and scenery, or it may interpret the musical accompaniment, which is often specially composed and performed in a theatre setting but it is ...
The most important American antecedent of the blues was the spiritual, a form of religious song with its roots in the camp meetings of the Great Awakening of the early 19th century. Spirituals were a passionate song form, that "convey (ed) to listeners the same feeling of rootlessness and misery" as the blues. [ 5]
Dance in China has a long recorded history. Depictions of dancing in China appeared over 4,000 years ago. The early dances may be folk dances or ritual dances, some of which developed into court dances. The most important of the early dances served important ritual and ceremonial roles and are known as yayue which continued to be performed at ...
In 1913, tango began to move from the dark side of town to elegant dance palaces. In 1916, Roberto Firpo, an extremely successful bandleader of the period, cemented the instrumentation for the standard tango sextet: two bandoneons, two violins, piano and double bass. Firpo heard a march by Uruguayan Gerardo Matos RodrÃguez and adapted it for ...
The history of African-American theatre has a dual origin. The first is rooted in local theatre where African Americans performed in cabins and parks. Their performances (folk tales, songs, music, and dance) were rooted in the African culture before being influenced by the American environment.