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C. Carnival of Swing. Central Brooklyn Jazz Consortium. Charlie Parker Jazz Festival.
The National Jazz Museum in Harlem is a museum dedicated to preservation and celebration of the jazz history of Harlem, Manhattan, New York City. The idea for the museum was conceived in 1995. The museum was founded in 1997 by Leonard Garment, counsel to two U.S. presidents, and an accomplished jazz saxophonist, Abraham David Sofaer, a former U ...
Woodstock Jazz Festival. Categories: Jazz festivals in the United States. Music festivals in New York (state)
The first Cavalcade of Jazz was held on September 23, 1945, and starred Count Basie, The Honey Drippers, Valaida Snow, Joe Turner, The Peters Sisters, Slim and Bam and other artists. [1] Attendance was some 15,000. [2] Subsequent festivals were widely promoted across the city, with Hefflin's aim being to "cement" race relations.
Contents. Music of New York City. The music of New York City is a diverse and important field in the world of music. It has long been a thriving home for popular genres such as jazz, rock, soul music, R&B, funk, and the urban blues, as well as classical and art music. It is the birthplace of hip hop, garage house, boogaloo, doo wop, bebop, punk ...
The Carnival of Swing was a music festival that took place on 29 May 1938 on Randall's Island, New York. It is considered the first outdoor jazz festival. [1] Performing at the concert were twenty-five swing bands, including the Duke Ellington and Count Basie orchestras, and Stuff Smith. Though newsreel footage of the event exists, no audio ...
Culture of New York City. New York City has been described as the cultural capital of the world. [1][2][3] The culture of New York is reflected in its size and ethnic diversity. As many as 800 languages are spoken in New York, making it the most linguistically diverse city in the world. [4] Many American cultural movements first emerged in the ...
Loft jazz. Loft jazz (or the loft scene or loft era) was a cultural phenomenon that occurred in New York City during the mid-1970s. Gary Giddins described it as follows: " [A] new coterie of avant-garde musicians took much of the jazz world by surprise... [T]hey interpreted the idea of freedom as the capacity to choose between all the realms of ...
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