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We Real Cool" is a poem written in 1959 by poet Gwendolyn Brooks and published in her 1960 book The Bean Eaters, her third collection of poetry. The poem has been featured on broadsides, re-printed in literature textbooks and is widely studied in literature classes. It is cited as "one of the most celebrated examples of jazz poetry". [1] [2] [3]
ruth weiss (beat poet) ruth weiss (June 24, 1928 – July 31, 2020), born Ruth Elisabeth Weisz, was a poet, performer, playwright and artist. Born in Germany, but of Austrian citizenship, weiss made her home and career in the United States. She was considered to be a member of the Beat Generation, a label she, in later years, embraced.
Jayne Cortez (May 10, 1934 [1] – December 28, 2012) was an African-American poet, activist, small press publisher and spoken-word performance artist. [2] Her writing is part of the canon of the Black Arts Movement. She was married to jazz saxophonist Ornette Coleman from 1954 to 1964, and their son is jazz drummer Denardo Coleman.
Bob Kaufman. Robert Garnell Kaufman (April 18, 1925 – January 12, 1986) was an American Beat poet and surrealist as well as a jazz performance artist and satirist. [1] In France, where his poetry had a large following, he was known as the Black American Rimbaud. [2]
Montage of a Dream Deferred. Montage of a Dream Deferred is a book-length poem suite published by Langston Hughes in 1951. Its jazz poetry style focuses on scenes over the course of a 24-hour period in Harlem (a neighborhood of New York City) and its mostly African-American inhabitants. [1] The original edition was 75 pages long and comprised ...
Lines. 8. " Music, When Soft Voices Die " is a major poem by Percy Bysshe Shelley, written in 1821 and first published in Posthumous Poems of Percy Bysshe Shelley in 1824 in London by John and Henry L. Hunt with a preface by Mary Shelley. [1] The poem is one of the most anthologised, influential, and well-known of Shelley's works. [2][3]
Jazz poetry has been defined as poetry that "demonstrates jazz -like rhythm or the feel of improvisation" [1] and also as poetry that takes jazz music, musicians, or the jazz milieu as its subject. [2] Some critics consider it a distinct genre though others consider the term to be merely descriptive.
An American in Paris is a jazz-influenced symphonic poem (or tone poem) [1] for orchestra by American composer George Gershwin first performed in 1928. It was inspired by the time that Gershwin had spent in Paris and evokes the sights and energy of the French capital during the Années folles. Gershwin scored the piece for the standard ...