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Spectrum Culture included the song on a list of "Bob Dylan's 20 Best Songs of the 90s". In an article accompanying the list, critic Peter Tabakis wrote, "The song’s languid, fatalistic beauty no doubt makes it his most beguiling composition since 'Blind Willie McTell'. Regret saturates every raspy couplet.
"Jammin' Me" is a song by Tom Petty and the Heartbreakers, co-written by Bob Dylan, Tom Petty, and Mike Campbell. The heartland rock tune first appeared on the band's 1987 album Let Me Up (I've Had Enough), and was later included on Petty's 'best of' albums Playback and Anthology: Through the Years.
"Tom Hark" is an instrumental South African kwela song from the 1950s, believed to have been composed by Jack Lerole. [1] The song was arranged for penny whistle and first recorded by Elias and His Zig-Zag Jive Flutes – a South African band formed by pennywhistlers Jack and his brother Elias Lerole – and released in 1956. [1]
The Elements" is a 1959 song with lyrics by musical humorist, mathematician and lecturer Tom Lehrer, which recites the names of all the chemical elements known at the time of writing, up to number 102, nobelium.
The Freewheelin' Bob Dylan is the second studio album by the American singer-songwriter Bob Dylan, released on May 27, 1963, by Columbia Records. Whereas his self-titled debut album Bob Dylan had contained only two original songs, this album represented the beginning of Dylan's writing contemporary lyrics to traditional melodies. Eleven of the ...
The song is composed in the key of C major in a 2/4 time signature. It correctly describes the step-by-step process for subtracting 173 from 342 in decimal and then subtracting the numbers 173 8 and 342 8 having the same digits in octal.
"Tweeter and the Monkey Man" is sometimes regarded as a playful homage to the songs of Bruce Springsteen, who was often hailed as "the next Dylan" early in his career. The lyrics include the titles of many Springsteen songs, and the song borrows many of Springsteen's themes.
The song was written by Dylan and produced by Bob Johnston. Dylan allegedly wrote it on Thanksgiving Day in 1965, though some biographers doubt this, concluding that he most likely improvised the lyrics in the studio. Dylan recorded the song at Columbia Studio A in Nashville, Tennessee in March 1966. The song has been criticized for sexism or ...