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Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
Cybertronian Car, Porsche 935, Cobra STUN. Jazz is a fictional robot character from the Transformers franchise. He is usually portrayed as a music-loving robot who speaks Black Vernacular English. In certain continuities he is shown as Optimus Prime 's good friend and right-hand man.
Principle of motion camouflage by mimicking the optic flow of the background. An attacker flies towards a target, choosing its path so that it remains on a line between target and a real point behind the attacker; this path differs from classical pursuit, and is often shorter (as illustrated here). The attacker looms larger as it closes on ...
Brendan Kavanagh (born October 1967 [2] [3]), also known as "Dr K" due to his PhD in English, is a British pianist and piano teacher of Irish descent.He specializes in playing and promoting the boogie-woogie genre, almost exclusively improvised, often combined with classical, jazz, blues, rock & roll, and traditional Irish music themes.
Play ⓘ. " Maiden Voyage " is a jazz composition by Herbie Hancock from his 1965 album Maiden Voyage. It features Hancock's quartet – trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams – together with saxophonist George Coleman. It is one of Hancock's best-known compositions and has become a jazz standard.
Footprints (composition) " Footprints " is a jazz standard composed by saxophonist Wayne Shorter and first recorded for his album Adam's Apple in 1966. [1] The first commercial release of the song was a different recording on the Miles Davis album Miles Smiles recorded later in 1966, but released earlier. [2]
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that ...
It is debatable whether Marsalis' critical and commercial success was a cause or a symptom of the reaction against Fusion and Free Jazz and the resurgence of interest in the kind of jazz pioneered in the 1960s (particularly modal jazz and post-bop); nonetheless there were many other manifestations of a resurgence of traditionalism, even if ...
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