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Cole asserts that the melodic line "was developed from the rhythmic inflections of a speech given by Dr. Martin Luther King." [3] [4] [b] Coltrane, Tyner, Garrison, and Jones, again, recorded "Alabama" – along with "Afro Blue" and "Impressions" – for a 30-minute TV episode of Jazz Casual, hosted by Ralph J. Gleason.
In jazz, when one instrumentalist or singer is doing a solo, the other ensemble members play accompaniment parts. While fully written-out accompaniment parts are used in large jazz ensembles, such as big bands, in small groups (e.g., jazz quartet, piano trio, organ trio, etc.), the rhythm section members typically improvise their accompaniment parts, an activity called comping.
Acid jazz often contains various types of electronic composition (sometimes including sampling or live DJ cutting and scratching), but it is just as likely to be played live by musicians, who often showcase jazz interpretation as part of their performance. Richard S. Ginell of AllMusic considers Roy Ayers "one of the prophets of acid jazz". [211]
Ethno jazz, a form of ethno music, is sometimes equaled to world music or is regarded as its successor, particularly before the 1990s. An independent meaning of "ethno jazz" emerged around 1990. 1990s -> European free jazz: European free jazz is a part of the global free jazz scene with its own development and characteristics. 1960s -> Flamenco ...
One musician who has come up as an influence for many is jazz bass clarinetist, saxophonist, and flutist Eric Dolphy. Below are some quotations from a few musicians about their first impressions ...
One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [1] Additionally, they can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). [2]
Modal jazz is jazz that makes use of musical modes, often modulating among them to accompany the chords instead of relying on one tonal center used across the piece.. Though exerting influence to the present, modal jazz was most popular in the 1950s and 1960s, as evidenced by the success of Miles Davis's 1958 composition "Milestones" and 1959 album Kind of Blue, and John Coltrane's quartet ...
During his brief time in school at Berklee, Gisbert was offered to go on the road with Buddy Rich as a connection made through Wilson. Gisbert's credits have then included: Buddy Rich (1985–86), Woody Herman's band under Frank Tiberi's direction (1987–89), John Fedchock and Maria Schneider, Gary Burton (1989), Lew Anderson (1989) and Toshiko Akiyoshi (1989 and subsequently).