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In 2014, the Los Angeles Philharmonic Association, which presents the summer Hollywood Bowl concerts, assumed presenting and booking duties. The Festival is broadcast live by the Southern California jazz public radio station KKJZ. In 2020, the festival was cancelled due to the COVID-19 pandemic.
The Lighthouse Café is a nightclub located at 30 Pier Avenue in Hermosa Beach, California. It has been active as a jazz showcase since 1949 and, under the name "The Lighthouse", was one of the best known West Coast jazz clubs from the 1950s through the late 1970s. In addition to jazz, reggae to rock - among other genres of music - are now ...
The Central Avenue Jazz Festival is a yearly annual free jazz festival that takes place the last weekend in the month of July in the Southern section of Los Angeles . Central Avenue, after which the area is named, was in the 1930s and 1940s a vibrant center for jazz. At this time the infamous covenant line along Washington Boulevard demarcated ...
The Crescendo was owned and operated by Gene Norman (né Eugene Abraham Nabatoff; 1922–2015) of GNP Crescendo Records who had purchased the property in 1954 from singer Billy Eckstine who had run the venue as the Chanticlair. The Chanticlair, Crescendo, and Interlude welcomed integrated audiences. Norman sold the Crescendo in 1963 to focus on ...
The Baked Potato. Coordinates: 34°8′12″N 118°21′47″W. Club exterior in 2015. The Baked Potato is a prominent jazz club on Cahuenga Boulevard in Studio City, Los Angeles, California, opened by Don Randi (father of bassist Leah Randi) in 1970. Randi formed his own group, Don Randi and Quest, as the house band.
The John Anson Ford Amphitheatre, officially nicknamed The Ford, is a music venue in the Hollywood Hills of Los Angeles, California. The 1,200-seat outdoor amphitheatre is situated within the Cahuenga Pass within the Santa Monica Mountains, directly across the U.S. 101 freeway from and the official sister venue of the Hollywood Bowl.
Jazz tenor saxophonist Flip Phillips played at all the JATP concerts from 1946 to 1957. Norman Granz recorded many JATP concerts, and sold or leased (from 1945 to 1947) the recordings to Asch/Disc/Stinson Records (record producer Moses Asch 's labels). Later, from 1948 to 1953, Granz leased the Jazz at the Philharmonic recordings to Mercury ...
‘Jelly’s Last Jam’ Review: Pasadena Playhouse Production Brings a Too-Rarely Revived Classic Jazz Musical Back to Rousing Life Chris Willman June 21, 2024 at 9:13 PM