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  2. Jazz scale - Wikipedia

    en.wikipedia.org/wiki/Jazz_scale

    The white-note major and minor pentatonic scales. Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees.

  3. Jazz minor scale - Wikipedia

    en.wikipedia.org/wiki/Jazz_minor_scale

    The jazz minor scale or ascending melodic minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used. As the name implies, it is primarily used in jazz [citation needed], although it may be found in other types of music as well. It may be derived from the major scale with a minor third, [ 1 ...

  4. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    List of set classes. Ninth chord. Open chord. Passing chord. Primary triad. Quartal chord. Root (chord) Seventh chord. Synthetic chord.

  5. Altered scale - Wikipedia

    en.wikipedia.org/wiki/Altered_scale

    Altered scale. In jazz, the altered scale, altered dominant scale, or Super Locrian scale ( Locrian ♭4 scale) is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and ...

  6. Tritone substitution - Wikipedia

    en.wikipedia.org/wiki/Tritone_substitution

    The tritone substitution is a common chord substitution found in both jazz and classical music. Where jazz is concerned, it was the precursor to more complex substitution patterns like Coltrane changes. Tritone substitutions are sometimes used in improvisation —often to create tension during a solo.

  7. Lydian Chromatic Concept of Tonal Organization - Wikipedia

    en.wikipedia.org/wiki/Lydian_Chromatic_Concept...

    Russell's original six Lydian scales [ 1] The Lydian Chromatic Concept of Tonal Organization is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT). Russell's work postulates that all music is based on the tonal gravity of the Lydian mode .

  8. Outside (jazz) - Wikipedia

    en.wikipedia.org/wiki/Outside_(jazz)

    Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.

  9. Jazz chord - Wikipedia

    en.wikipedia.org/wiki/Jazz_chord

    Jazz chord. Major seventh chord on C, notated as C Δ7. Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [ 1]