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Jackson Carey Frank (March 2, 1943 – March 3, 1999) was an American folk musician.He released his first and only album in 1965, produced by Paul Simon.After the release of the record, Frank was plagued by a series of personal issues, and was diagnosed with schizophrenia and protracted depression that prevented him from maintaining his career.
During high school in Colorado Gisbert auditioned for and played with the 1983/84 McDonald's All-American High School Jazz Band; he toured and recorded with the group. [2] After high school he attended the Berklee College of Music in 1984-85, where he recorded with Cyrus Chestnut as part of Phil Wilson 's Rainbow Band.
Ellis Louis Marsalis Jr. [1] (November 14, 1934 – April 1, 2020) was an American jazz pianist and educator. Active since the late 1940s, Marsalis came to greater attention in the 1980s and 1990s as the patriarch of the musical Marsalis family, when sons Branford and Wynton became popular jazz musicians.
The season encompasses more than just some of the best big-band music around, but also stories of jazz artists old and new, a beloved Christmas TV special, the geekiness of video games and the ...
Art Tatum. Arthur Tatum Jr. (/ ˈteɪtəm /, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest ever. [1][2] From early in his career, fellow musicians acclaimed Tatum's technical ability as extraordinary. Tatum also extended jazz piano's vocabulary and boundaries far beyond his ...
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
e. International Association for Jazz Education (IAJE), formerly a not-for-profit corporation based in Manhattan, Kansas, was a volunteer-run organization that, among other things, allocated student scholarships through its approved festivals program. Its annual conference was a gathering point for professional artists as well as jazz enthusiasts.
The Manhattan School of Music added a jazz department in 1982, followed by a jazz oriented master's in 1984, and a bachelor's in 1987. The school's influence in formalizing jazz education rapidly rose to prominence. Long before formalizing its jazz curriculum, the school had some of New York's top jazz artists on its faculty and as students. [38]