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For a list of the core jazz standards, see the following lists by decade: Before 1920. 1920s. 1930s. 1940s. 1950s and later. For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes . This article includes a list of related items that share the same name (or ...
Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s ->. Jazz rock. The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s ->.
Play ⓘ. " Maiden Voyage " is a jazz composition by Herbie Hancock from his 1965 album Maiden Voyage. It features Hancock's quartet – trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams – together with saxophonist George Coleman. It is one of Hancock's best-known compositions and has become a jazz standard.
1940. Trumpeter Dizzy Gillespie was one of the leading figures of bebop. Standards composed by him include "A Night in Tunisia" (1942), "Woody N' You" (1942), and "Groovin' High" (1944). "After Hours" [ 4] is a song composed by Avery Parrish with lyrics by Robert Bruce and Buddy Feyne.
The Club Royal Orchestra introduced the song on their first recording in 1921. [21] The two recordings of trombonist Jack Teagarden have been cited as a big influence for the song's standard status. [21] 1922 – "Bugle Call Rag" is a jazz song by Billy Meyers, Jack Pettis and Elmer Schoebel.
Trout Mask Replica. Trout Mask Replica is the third studio album by the American band Captain Beefheart and his Magic Band, released as a double album on June 16, 1969, by Straight Records. The music was composed by Captain Beefheart ( Don Van Vliet) and arranged by drummer John "Drumbo" French. Combining elements of R&B, garage rock, and blues ...
Bernie's Tune. " Bernie's Tune " is a 1952 jazz standard. The music was written by Bernie Miller, with lyrics added later by Jerry Leiber and Mike Stoller. [1] It was popularised with a recording by the quartet of the American saxophonist and composer Gerry Mulligan, on the 1952 album of the same name, which also featured Chet Baker on trumpet.
Swiss Miss, (1926) arrangement of a song from Lady, Be Good. Machinery Gone Mad, (1927) unpublished. Blue Monday, (1927) a piano suite based on Gershwin's one-act opera of the same name. Merry Andrew, (1928) arrangement of a dance piece from Rosalie. Three-Note Waltz, (1931) Also known as Melody #36.