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AllMusic. [1] Sweeney Todd: The Demon Barber of Fleet Street: The Motion Picture Soundtrack is a soundtrack to the film of the same name, released on December 18, 2007. In a change from the original, Sondheim cut the show's famous opening number, "The Ballad of Sweeney Todd", explaining, "Why have a chorus singing about 'attending the tale of ...
2012 Laurence Olivier Award for Best Musical Revival. Sweeney Todd: The Demon Barber of Fleet Street is a 1979 musical with music and lyrics by Stephen Sondheim and book by Hugh Wheeler. It is based on the 1970 play Sweeney Todd by Christopher Bond.
Sweeney Todd: The Demon Barber of Fleet Street: The Motion Picture Soundtrack. " Not While I'm Around " is a song from the Stephen Sondheim musical Sweeney Todd: The Demon Barber of Fleet Street. It is a duet between Tobias Ragg and Mrs. Lovett that first appeared on Broadway in 1979. A screen adaptation for the 2007 film of the same name ...
Sondheim also wrote songs, scores and incidental music for films and television, among them a number of tunes included in the 1990 movie "Dick Tracy" and "Sooner Or Later," which was sung by ...
Sweeney Todd: The Demon Barber of Fleet Street is a 2007 musical slasher film directed by Tim Burton from a screenplay by John Logan, based on the stage musical of the same name by Stephen Sondheim and Hugh Wheeler, which in turn is based on the 1970 play Sweeney Todd by Christopher Bond. The film retells the melodramatic Victorian tale of ...
The cannibalist startup in “Sweeney Todd” kills two birds: For Sweeney, the ruined barber who holds a grudge as steadily as he does a blade, it means turning enemies into actual mincemeat. For ...
Sweeney Todd singles chronology. "Sweeney Todd Folder". (1976) " Roxy Roller ". (00000000) "Say Hello, Say Goodbye". (1976) " Roxy Roller " is a song originally recorded by the glam rock band Sweeney Todd in 1975 with Nick Gilder on vocals. It was written by Jim McCulloch and Nick Gilder.
In a Broadway season that might be remembered for a lovely, pared-down minimalism – the intriguing starkness of A Doll’s House with Jessica Chastain, the less-is-more near-concert-style ...
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