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Concrete poetry. Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. [ 1] It is sometimes referred to as visual poetry, a term that has now developed a distinct meaning of its own. Concrete poetry relates more to the visual than to the verbal ...
The two are also interdependent and "without concrete poetry the current forms of visual poetry would be unthinkable". [10] The academic Willard Bohn, however, prefers to categorize the whole gamut of literary and artistic experiment in this area since the late 19th century under the label of visual poetry and has done so in a number of books ...
Seiichi Niikuni (新国誠一, Niikuni Seiichi, December 7, 1925 – August 23, 1977) was a Japanese poet and painter. He was one of the foremost pioneers of the international avant-garde concrete poetry movement, creating works of calligraphic, visual and aural poetry. He is recognized as one of the most important poets of recent times in ...
Tango With Cows: Ferro-Concrete Poems (Russian; Танго С Коровами: Железобетонные Поэмы) is an artists' book by the Russian Futurist poet Vasily Kamensky, with additional illustrations by the brothers David and Vladimir Burliuk. [ 1] Printed in Moscow in 1914 in an edition of 300, [ 1] the work has become famous ...
Carmen figuratum (plural: carmina figurata) is a poem that has a certain shape or pattern formed either by all the words it contains or just by certain ones therein. [1] An example is France Prešeren's "Zdravljica", where the shape of each stanza resembles a wine cup.
The poet John Hollander cited "The Red Wheelbarrow" as a good example of enjambment to slow down the reader, creating a "meditative" poem. [14] The editors of Exploring Poetry believe that the meaning of the poem and its form are intimately bound together. They state that "since the poem is composed of one sentence broken up at various ...
Calligrammes: Poems of Peace and War 1913-1916, is a collection of poems by Guillaume Apollinaire which was first published in 1918. Calligrammes is noted for how the typeface and spatial arrangement of the words on a page plays just as much of a role in the meaning of each poem as the words themselves – a form called a calligram .
Phanopoeia or phanopeia is defined as "a casting of images upon the visual imagination ," [ 1] throwing the object (fixed or moving) on to the visual imagination. In the first publication of these three types, Pound refers to phanopoeia as "imagism." Phanopoeia can be translated without much difficulty, according to Pound.