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The ball in front of the goal during a game of pok-ta-pok, 2006. The Mesoamerican ballgame ( Nahuatl languages: ōllamalīztli, Nahuatl pronunciation: [oːlːamaˈlistɬi], Mayan languages: pitz) was a sport with ritual associations played since at least 1650 BC [1] by the pre-Columbian people of Ancient Mesoamerica.
Ulama (game) Sinaloan ulama player in action. Ollama ( Spanish pronunciation: [uˈlama]) is a ball game played in Mexico, currently experiencing a revival from its home in a few communities in the state of Sinaloa. As a descendant of the Aztec version of the Mesoamerican ballgame, [1] the game is regarded as one of the oldest continuously ...
Ceramic sculpture from a Western Mexican tomb showing players engaged in the Mesoamerican ballgame. A Mesoamerican ballcourt (Nahuatl languages: tlachtli) is a large masonry structure of a type used in Mesoamerica for more than 2,700 years to play the Mesoamerican ballgame, particularly the hip-ball version of the ballgame.
On the 500th anniversary of the Spanish conquest of the Aztecs in Mexico, on Aug. 13, 1521, the documentary "499" from Rodrigo Reyes tackles colonialism's shadow.
Patolli and its variants were played by a wide range of pre-Columbian Mesoamerican cultures and were known all over Mesoamerica: it was played by the Teotihuacanos (the builders of Teotihuacan, ca. 200 BC - 650 AD), the Toltecs (ca. 750 - 1000), the inhabitants of Chichen Itza (founded by refugee Toltec nobles, ca. 1100 - 1300), the Aztecs (who claimed Toltec descent, 1168 - 1521) and all of ...
The Aztecs (/ ˈ æ z t ɛ k s / AZ-teks) were a Mesoamerican civilization that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries.
The Spanish conquest of the Aztec Empire is the subject of an opera, La Conquista (2005) and of a set of six symphonic poems, La Nueva España (1992–99) by Italian composer Lorenzo Ferrero . Cortés's conquest has been depicted in numerous television documentaries.
This is a list of gods and supernatural beings from the Aztec culture, its religion and mythology. Many of these deities are sourced from Codexes (such as the Florentine Codex (Bernardino de Sahagún), the Codex Borgia (Stefano Borgia), and the informants). They are all divided into gods and goddesses, in sections.