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Budget. $28 million [1] Box office. $58.7 million [2] Rob Roy is a 1995 historical biographical drama film directed by Michael Caton-Jones. [3] It stars Liam Neeson as Rob Roy MacGregor, an 18th-century Scottish clan chief who becomes engaged in a dispute with a reprobate nobleman in the Scottish Highlands, played by John Hurt.
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At this crucial point, Rob Roy appears at the royal court, heralded by a piper. Rob Roy's self-evident qualities quickly convince the king to pardon him and his clan. After an exchange of compliments: "Rob Roy – you are a great rogue"; "and you sire are a great king", the McGregor returns to his people and his wife. Cast
Rob Roy, nickname of John MacGregor (1825–1892), English explorer, travel writer and philanthropist, and also the boats that he designed. Rob Roy, CEO and co-founder of Switch. Rob Roy (cocktail), created in conjunction with the premiere of De Koven' and Smith's Rob Roy operetta (1894) Rob Roy (dog), a collie owned by Calvin Coolidge.
Rob Roy (1817) is a historical novel by Walter Scott, one of the Waverley novels. It is probably set in 1715, the year of the second Jacobite rising, and the social and economic background to that event are an important element in the novel, though it is not treated directly. [2] The depiction of Rob Roy bears little relation to the historical ...
Rob Roy. (operetta) Rob Roy is an operetta by composer Reginald De Koven and lyricist Harry B. Smith, frequent collaborators, loosely based upon the life of Scottish folk hero Robert Roy MacGregor, better known as Rob Roy, and the Walter Scott novel about him . Rob Roy, designated "A Romantic-Comic Opera in 3 Acts", opens with a formal overture ...
Rob Roy was born in the Kingdom of Scotland at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were the local Clan MacGregor tacksman, Donald Glas MacGregor, and Margaret Campbell. He was also descended from the Clan MacDonald of Keppoch through his paternal grandmother.
Composed in 1843 and first performed at the Salle Herz, Paris, on 3 February 1844. A stand-alone overture intended for concert performance, made up of material and themes from Berlioz's opera Benvenuto Cellini, including some music from the opera's carnival scene – hence the overture's title. It is scored for large orchestra, is in the key of ...