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This is a glossary of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound ...
Glossary of music terminology. A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
The Lick. The Lick is a lick (a stock musical phrase) that has been used on numerous jazz and pop records and is part of several classical compositions, to the point that it has been described as "the most famous jazz cliché ever". [1] In recent years, it has become an internet meme and is sometimes used for comedic effect. [2][3]
In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [ 1 ] Additionally, they can take form as commentary to a statement, an answer to a question or repetition of ...
Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock music 's rhythms, electric instruments, and highly amplified stage sound. In the early 1980s, a commercial form of jazz fusion called smooth jazz became successful, garnering significant radio airplay.
Early Jazz: Its Roots and Musical Development, by Gunther Schuller, is a seminal study of jazz from its origins through the early 1930s, first published in 1968. [1] It has since been translated into five languages (Italian, French, Japanese, Portuguese and Spanish). [2] When it was published, it was the first volume of a projected two volume history of jazz through the Swing era. (Schuller ...
This pattern, "one of the most common vehicles for improvisation," [ 2 ] forms the basis of countless (usually uptempo) jazz compositions and was popular with swing -era and bebop musicians. For example, it is the basis of Duke Ellington 's " Cotton Tail " [ 3 ] as well as Charlie Christian 's "Seven Come Eleven," [ 4 ] Dizzy Gillespie 's " Salt Peanuts," [ 4 ] and Thelonious Monk 's " Rhythm ...