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Parallel harmony is frequently used in house music and other electronic music genres. Historically, this resulted from producers sampling chords from soul or jazz and then playing them at different pitches, or using "chord memory" feature from classic polyphonic synthesizers. Modern digital audio workstations offer similar chord-generating ...
For a list of the core jazz standards, see the following lists by decade: Before 1920. 1920s. 1930s. 1940s. 1950s and later. For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes . This article includes a list of related items that share the same name (or ...
Art Tatum. Arthur Tatum Jr. ( / ˈteɪtəm /, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest ever. [1] [2] From early in his career, fellow musicians acclaimed Tatum's technical ability as extraordinary. Tatum also extended jazz piano's vocabulary and boundaries far beyond his ...
Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in ...
Edward Elzear "Zez" Confrey (3 April 1895 – 22 November 1971) [1] was an American composer and performer of novelty piano and jazz music. His most noted works were "Kitten on the Keys" and "Dizzy Fingers." Studying at the Chicago Musical College and becoming enthralled by French impressionists played a critical role in how he composed and ...
In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker. This name derives from an assumption that the normal progression to the tonic, the ii-V-I turnaround (ii-V 7 to I ...
See media help. In the standard Coltrane change cycle the ii–V–I is substituted with a progression of chords that cycle back to the V–I at the end. In a 44 piece, each chord gets two beats per change. Coltrane developed this modified chord progression for "Countdown", which is much more complex.
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
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