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Lenny Welch recording. "Since I Fell for You" achieved its highest-profile via a 1963 recording by Lenny Welch. While a student at Asbury Park High School in New Jersey, Welch had served as vocalist with a doo-wop group who performed locally, their gigs including "Since I Fell for You" which Welch knew from its 1954 recording by the Harptones.
John Wright was born in Louisville, Kentucky in 1934. His family moved to Chicago in 1936 where his mother, an evangelistic preacher, founded a church at which he had begun to play piano by the age of seven. [1] He attended Wendell Phillips High School and played organ at the Christian Hope M.B. Baptist Church before enlisting in the military ...
Jimmy Smith chronology. Home Cookin'. (1961) Midnight Special. (1961) Plays Fats Waller. (1962) Midnight Special is an album by the American jazz organist Jimmy Smith, recorded in 1960 and released on the Blue Note label. [1] The album was recorded at the same session that produced Back at the Chicken Shack (1960).
Professional ratings. Back at the Chicken Shack is an album by Jimmy Smith. It was recorded in 1960 and released in 1963 on the Blue Note label. Smith recorded the album in the same session as his previous album Midnight Special. It was cited in the book 1001 Albums You Must Hear Before You Die.
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [1] For example, if a tune is in the key of C, if there ...
Kansas City Shuffle. A " Kansas City Shuffle " is an advanced form of a bait-and-switch confidence game employing misdirection, subterfuge, and playing on the " mark 's" arrogance and/or self-loathing. It is also the title of a 1926 jazz song named after the scheme.
The band opened its performance at Jazz Fest with its high-energy “Start Me Up,” drawing a loud roar from the crowd, which touched the front of the stage and spread to the track at the back of ...