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Cool jazz. West Coast jazz refers to styles of jazz that developed in Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. The music relied relatively more on composition and arrangement than on the individually improvised playing of ...
Catalina Bar & Grill, popularly referred to as Catalina Jazz Club, is a prominent jazz club and restaurant on Sunset Boulevard in Hollywood, Los Angeles, United States, located to the east of Hollywood High School and to the west of the Blessed Sacrament Catholic Church. It regularly hosts live music and according to Los Angeles Magazine hosts ...
1939–1984. Sheldon " Shelly " Manne (June 11, 1920 – September 26, 1984) was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz, and later fusion. He also contributed to the musical ...
Black Hawk, Tenderloin, San Francisco [4] Great American Music Hall, Tenderloin, San Francisco. Keystone Korner, North Beach, San Francisco [4] Kuumbwa Jazz Center, Downtown Santa Cruz [4][1]: 5. Maybeck Recital Hall, Berkeley [4] Mr. Tipple's Recording Studio, San Francisco [1]: 5. Jazz Workshop, San Francisco.
Kansas City Blues and Jazz Festival in Kansas City [citation needed] Scott Joplin International Ragtime Festival in Sedalia [72] Nebraska. Omaha Blues, Jazz, & Gospel Festival in Omaha. Nevada. Las Vegas City of Lights Jazz Festival in Las Vegas [73] Reno Jazz Festival in Reno [citation needed] New Jersey.
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The Crescendo was owned and operated by Gene Norman (né Eugene Abraham Nabatoff; 1922–2015) of GNP Crescendo Records who had purchased the property in 1954 from singer Billy Eckstine who had run the venue as the Chanticlair. The Chanticlair, Crescendo, and Interlude welcomed integrated audiences. Norman sold the Crescendo in 1963 to focus on ...
Hiromi’s Sonicwonder orbits the Mondavi Center at UC Davis on April 18 with a familiar warmth of classical-jazz piano and more pointedly daring synthesizer-driven compositions.