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  2. Backdoor progression - Wikipedia

    en.wikipedia.org/wiki/Backdoor_progression

    In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression[1][2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker. This name derives from an assumption that the normal progression to the tonic, the ii-V-I turnaround (ii-V 7 to I ...

  3. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart. Play ⓘ A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music. It is intended primarily for a rhythm section (usually consisting of piano, guitar, drums and bass). In these genres the ...

  4. Jazz chord - Wikipedia

    en.wikipedia.org/wiki/Jazz_chord

    Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [1] For example, if a tune is in the key of C, if there ...

  5. Jazz harmony - Wikipedia

    en.wikipedia.org/wiki/Jazz_harmony

    Jazz harmony is the theory and practice of how chords are used in jazz music. Jazz bears certain similarities to other practices in the tradition of Western harmony, such as many chord progressions, and the incorporation of the major and minor scales as a basis for chordal construction.

  6. Rhythm changes - Wikipedia

    en.wikipedia.org/wiki/Rhythm_changes

    The rhythm changes is a 32-bar AABA form with each section consisting of eight bars, and four 8-bar sections. [ 9 ] In roman numeral shorthand, the original chords used in the A section are: a 2-bar phrase, I−vi−ii−V (often modified to I–VI–ii–V), played twice, [ 10 ] followed by a 4-bar phrase. In a jazz band, these chord changes ...

  7. Comping (jazz) - Wikipedia

    en.wikipedia.org/wiki/Comping_(jazz)

    In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines. It is also the action of accompanying, and the left-hand part of a solo ...

  8. Outside (jazz) - Wikipedia

    en.wikipedia.org/wiki/Outside_(jazz)

    Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.

  9. Upper structure - Wikipedia

    en.wikipedia.org/wiki/Upper_structure

    Common jazz parlance refers to upper structures by way of the interval between the root of the bottom chord and the root of the triad juxtaposed above it. [2] For instance, in example one above (C 7♯9) the triad of E ♭ major is a (compound) minor 3rd away from C (root of the bottom chord). Thus, this upper structure can be called upper ...

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