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A Gentle Reminder. Jazz took to social media to share a body-positivity message for all her followers. “Every body is beautiful ️ To look at someone’s body and say ‘this is not beautiful ...
Hope surrounds himself with musicians whose reputations are now legendary... the level of musical empathy and improvisational reciprocity is inspiring. This is an obscure date but it shouldn't be, as it features some of Hope and Gilmore's finest playing, and shows Jones in rare, lighthearted form".
Ella Mae Morse in 1944. Ella Mae Morse (September 12, 1924 – October 16, 1999) [1] was an American singer of popular music whose 1940s and 1950s recordings mixing jazz, blues, and country styles influenced the development of rock and roll. Her 1942 recording of "Cow-Cow Boogie" with Freddie Slack and His Orchestra gave Capitol Records its ...
It is debatable whether Marsalis' critical and commercial success was a cause or a symptom of the reaction against Fusion and Free Jazz and the resurgence of interest in the kind of jazz pioneered in the 1960s (particularly modal jazz and post-bop); nonetheless there were many other manifestations of a resurgence of traditionalism, even if ...
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) [1] was an American jazz pianist and composer.A pioneer in the development of bebop and its associated contributions to jazz theory, [2] Powell's application of complex phrasing to the piano influenced both his contemporaries and later pianists including Walter Davis, Jr., Toshiko Akiyoshi, and Barry Harris.
The result is not likely to be high on any list of jazz essentials but it illustrates how the forward momentum of creative expression was harnessed, at this point, by a constant desire to maintain and extend the commercial success achieved a couple of years earlier by My Favorite Things."
The post 80 Moving On Quotes That Will Help You Let Go appeared first on Reader's Digest. Moving on is a part of life, but that doesn't mean it's easy. If you're moving on from a major point in ...
"Jazz is not a 'form' but a collection of tags and tricks." Ernest Newman. The Sunday Times, "The World of Music", 4 September 1927. "What makes the performance is the dialogue created between you and everybody around you spontaneously. And you have to interact with everybody up there, interacting and reacting, throwing out ideas.