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Hitting a Milestone. After putting in the effort for two years, Jazz celebrated losing 100 pounds and how she was motivated to keep up her new lifestyle. “I’m so proud of my progress and want ...
Jazz Jennings (born October 6, 2000) [1] is an American YouTube personality, spokesmodel, television personality, and LGBT rights activist. [2][3] Jennings is one of the youngest publicly documented people to be identified as transgender. [3] Jennings received national attention in 2007 when an interview with Barbara Walters aired on 20/20 ...
Art Tatum. Arthur Tatum Jr. (/ ˈteɪtəm /, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest ever. [1][2] From early in his career, fellow musicians acclaimed Tatum's technical ability as extraordinary. Tatum also extended jazz piano's vocabulary and boundaries far beyond his ...
Ella Mae Morse in 1944. Ella Mae Morse (September 12, 1924 – October 16, 1999) [1] was an American singer of popular music whose 1940s and 1950s recordings mixing jazz, blues, and country styles influenced the development of rock and roll. Her 1942 recording of "Cow-Cow Boogie" with Freddie Slack and His Orchestra gave Capitol Records its ...
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WSM. Website. georgemelly.com. Alan George Heywood Melly (17 August 1926 – 5 July 2007) was an English jazz and blues singer, critic, writer, and lecturer. From 1965 to 1973, he was a film and television critic for The Observer; he also lectured on art history, with an emphasis on surrealism.
Haley was born July 6, 1925, in Highland Park, Michigan. In 1929, the four-year-old Haley underwent an inner-ear mastoid operation which accidentally severed an optic nerve, leaving him blind in his left eye for the rest of his life. It is said that he adopted his trademark kiss curl over his right eye to draw attention from his left, but it ...
For everyone else, it's an unvarnished, day-in-the-life portrait of an icon – and the three musical giants that helped him achieve that status – at work." [ 15 ] Richard Brody , writing for The New Yorker , found the album "moving and illuminating, as it fills in some of the background and middle range of Coltrane's career," but stated: "it ...