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The Great Wave off Kanagawa ( Japanese: 神奈川沖浪裏, Hepburn: Kanagawa-oki Nami Ura, lit. 'Under the Wave off Kanagawa')[ a] is a woodblock print by Japanese ukiyo-e artist Hokusai, created in late 1831 during the Edo period of Japanese history. The print depicts three boats moving through a storm-tossed sea, with a large, cresting wave ...
Mount Fuji is in the center distance. Thirty-six Views of Mount Fuji ( Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849). The series depicts Mount Fuji from different locations and in various seasons and weather conditions. The immediate success of ...
Ukiyo-e[ a] is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term ukiyo-e ( 浮世絵 ...
Dimensions. 67.3 cm × 114 cm (26.5 in × 45 in) Daybreak is a painting by American artist Maxfield Parrish made in 1922. Daybreak, inspired by the landscape of Vermont and New Hampshire to create lush and romantic tones, [ 1] is regarded as the most popular art print of the 20th century, based on number of prints made: one for every four ...
Metropolitan Museum of Art. Woodblock printing in Japan ( 木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [ 1] artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period ...
A print that copies another work of art, especially a painting, is known as a "reproductive print". Multiple impressions printed from the same matrix form an edition . Since the late 19th century, artists have generally signed individual impressions from an edition and often number the impressions to form a limited edition; the matrix is then ...
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