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OCLC. 964311. You Can't Go Home Again is a novel by Thomas Wolfe published posthumously in 1940, extracted by his editor, Edward Aswell, from the contents of his vast unpublished manuscript The October Fair. It is a sequel to The Web and the Rock, which, along with the collection The Hills Beyond, was extracted from the same manuscript.
Henry IV, Part 2. Henry IV, Part 2 is a history play by William Shakespeare believed to have been written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V . The play is often seen as an extension of aspects of Henry IV, Part 1, rather than a straightforward ...
Friends, Romans, countrymen, lend me your ears. " Friends, Romans, countrymen, lend me your ears " is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare. Occurring in Act III, scene II, it is one of the most famous lines in all of Shakespeare's works. [ 1]
Reach Bill O'Boyle at 570-991-6118 or on Twitter @TLBillOBoyle. Jul. 15—WILKES-BARRE — They say you can't go home again, but "they" are wrong. Last week, while driving through the Homeland ...
The play follows two main couples: Beatrice and Benedick (adapted to Bea and Ben in Anyone But You), who use witty banter to deny their romantic interest in one another, and Claudio and Hero (here ...
As the program occurred on July 15, 17 and 19, Andrea brought out Shania Twain as one of the A-list singers performing his most well-known songs with him. Well, folks couldn't get over hearing the ...
To be, or not to be. Comparison of the "To be, or not to be" speech in the first three editions of Hamlet, showing the varying quality of the text in the Bad Quarto, the Good Quarto and the First Folio. " To be, or not to be " is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare 's play Hamlet (Act 3, Scene 1).
Macbeth, Act I, Scene IV Macbeth is an anomaly among Shakespeare's tragedies in certain critical ways. It is short: more than a thousand lines shorter than Othello and King Lear, and only slightly more than half as long as Hamlet. This brevity has suggested to many critics that the received version is based on a heavily cut source, perhaps a prompt-book for a particular performance. This would ...