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The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues ...
I–V–vi–IVchord progression in C Playⓘ.vi–IV–I–Vchord progression in C Playⓘ. The I–V–vi–IV progressionis a common chord progressionpopular across several genresof music. It uses the I, V, vi, and IVchords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F.[1]Rotations include:
Chord progressions are the foundation of popular music styles (e.g., pop music, rock music ), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise ...
The term blues scale refers to several different scales with differing numbers of pitches and related characteristics. A blues scale is often formed by the addition of an out-of-key "blue note" to an existing scale, notably the flat fifth addition to the minor pentatonic scale. However, the heptatonic blues scale can be considered a major scale ...
Blues standards come from different eras and styles, such as ragtime - vaudeville, Delta and other early acoustic styles, and urban blues from Chicago and the West Coast. [3] Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted:
In 1970, after the dissolution of Immediate Records, RCA Victor reissued the original Blues Anytime albums under the name British Archive Series: Blues for Collectors Vol. 1–4,. [4] [5] A compilation of tracks from this series was released by RCA as Eric Clapton, Jeff Beck, Jimmy Page: Guitar Boogie (1971)
Pre-1940 blues Son House Mississippi John Hurt, 1964 Blind Lemon Jefferson Lonnie Johnson, 1941 Lead Belly Robert Jr. Lockwood, 1982 Sara Martin and Sylvester Weaver Mississippi Fred McDowell, 1972 Jay McShann in Edinburgh, c.1995 Memphis Minnie, 1930 Buddy Moss in Georgia prison camp, 1941 Ma Rainey Jimmy Rushing, 1946 Bessie Smith, 1936 Mamie Smith Henry Townsend, 1983 Ethel Waters, 1943 ...