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Thelma Carpenter (January 15, 1922 – May 14, 1997) was an American jazz singer and actress, best known as "Miss One", the Good Witch of the North in the movie The Wiz. Early years [ edit ]
Kenneth Patchen (December 13, 1911 – January 8, 1972) was an American poet and novelist.He experimented with different forms of writing and incorporated painting, drawing, and jazz music into his works, which have been compared with those of William Blake and Walt Whitman.
The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
When the album was released later that year, some critics accused him of "selling out" to the rock and roll audience. Nevertheless, it reached number 134 on the US Billboard Top LPs chart, his first album since My Funny Valentine to reach the chart. In a Silent Way was his entry into jazz fusion. The touring band of 1969–1970—with Shorter ...
"O Death Rock Me Asleep" is a Tudor-era poem, traditionally attributed to Anne Boleyn. It was written shortly before her execution in 1536. It was written shortly before her execution in 1536. Anne Boleyn in the Tower of London ( Édouard Cibot , 1835)
Yolande Cornelia "Nikki" Giovanni Jr. [1] [2] (born June 7, 1943) is an American poet, writer, commentator, activist, and educator. One of the world's most well-known African-American poets, [2] her work includes poetry anthologies, poetry recordings, and nonfiction essays, and covers topics ranging from race and social issues to children's literature.
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday made a significant contribution to jazz music and pop singing.
In his book Digitopia Blues – Race, Technology and the American Voice, poet and saxophonist John Sobol argues that jazz was a transformative vehicle for African-American self-empowerment whose dominant characteristic and purpose was a search for mastery of a language of power, undertaken by a historically enslaved oral people denied access to words of power.