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Transformers: Generation 1. [edit] Jazz (Tigre in Italy) is the " very cool, very stylish, very competent " member of the Autobots in the Transformers television and comic series based on the popular toy line produced by Takara and Hasbro. His original vehicle mode is a Martini Porsche 935 turbo racing car.
In recent years, Gisbert has become an active and highly respected jazz educator, teaching at festivals and conducting clinics across the United States. He also had two stints on the Jazz faculty at the University of Miami in the 2000s. He has also branched out in producing; bringing the up-and-coming conductor and composer, Chie Imiazumi, to ...
Love Heart Cheat Code is the fourth studio album by Australian jazz/funk band Hiatus Kaiyote, released on 28 June 2024 by Brainfeeder and Ninja Tune. The album was produced by Mario Caldato Jr., and was preceded by five singles. At the 2024 ARIA Music Awards, the album was nominated Hiatus Kaiyote for Best Group. [1]
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
Nu jazz (also spelt nü jazz or known as jazztronica, [1] or future jazz) is a genre of jazz and electronic music. The music blends jazz elements with other musical styles, such as funk, electronic music, and free improvisation. [2] Nu jazz typically ventures further into the electronic territory than does its close cousin, acid jazz. [3]
Bugge Wesseltoft (with John Scofield) at Moers Festival 2006, Germany DJ Bugge at Nattjazz 2016 in Bergen, Norway. In 1989, Wesseltoft collaborated with the Knut Riisnæs Quartet and was soon after contacted by Arild Andersen to join in on commissioned work for Vossajazz—released on the album Sagn (1990)—and the follow-up Arv (1993).
This chapter begins by pointing out the way that technological developments (radio and recordings), and the economic lift they provided to musicians, generated crosscurrents in jazz, resulting in a move towards jazz orchestras, the big bands, by the end of the 1920s. Schuller then considers two sites of big band activity: New York and Kansas City.