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Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
Regina Carter at Bach Dancing & Dynamite Society, Half Moon Bay CA 3/1/20. Carter returned to the U.S. and first came into the spotlight as the violinist for the all female pop-jazz quintet Straight Ahead in 1987, [5] with Cynthia Dewberry, Gayelynn McKinney, Eileen Orr, and Marion Hayden.
4 figure is known as tresillo in Afro-Cuban music and is the duple-pulse correlative of the 12 8 figure. This may have been the first overt expression of systemic, African-based cross-rhythm used by a straight ahead jazz group. During Davis’ first trumpet solo, Williams shifts to a 4 4 jazz ride pattern while Carter continues the 12 8 bass line.
The Penguin Guide to Jazz Recordings. [6] Milestones is a studio album by Miles Davis. It was recorded with his "first great quintet " (augmented to a sextet with the addition of alto saxophonist Cannonball Adderley) and released in September of 1958 by Columbia Records. [8]
Harriott's free-form compositions normally formed only a portion of live gigs. Indeed, the final album recorded by the quintet, 1964's High Spirits (Columbia), was a straight-ahead jazz interpretation of compositions from the musical of that name, which was based on the Noël Coward play Blithe Spirit. [5]
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958, and the Second Great Quintet ...
1973–present. Labels. Candid, Brownstone, Blue Chip, Koko, Whaling City Sound. Website. www.gregabate.com. Greg Abate (born May 31, 1947) [1][2] is a jazz saxophonist, flautist, composer, and arranger. He grew up in Woonsocket, Rhode Island. In the fifth grade he began to play clarinet.
A New York Times reviewer commented in 2011 that Mitchell "feels close to the consensus language of straight-ahead jazz but wants to get beyond it. He does it with hands moving in independent parts, with polyrhythms, with music that approaches the technical level of études but that churns and whirls and leaves spaces for broad interpretation."
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