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A jazz term that instructs a lead player or rhythm section member to play an improvised solo cadenza for one or two measures (sometimes abbreviated as "break"), without any accompaniment. The solo part is often played in a rhythmically free manner, until the player performs a pickup or lead-in line, at which time the band recommences playing in ...
A jazz term which describes a jazz rhythm section performer (usually a chordal instrument such as jazz guitar, jazz piano, Hammond organ, etc.) playing accompaniment chords. comping takes. Selecting or "cherry picking" the best performances from various audio tracks in order to 'bounce' or piece together one contiguous audio track.
An order of magnitude of time is usually a decimal prefix or decimal order-of-magnitude quantity together with a base unit of time, like a microsecond or a million years. In some cases, the order of magnitude may be implied (usually 1), like a "second" or "year". In other cases, the quantity name implies the base unit, like "century".
For instance, in the key of E, the blue note would be either a note between G and G ♯ or a note moving between both. In blues, a pentatonic scale is often used. In jazz, many different modes and scales are used, often within the same piece of music. Chromatic scales are common, especially in modern jazz. Non-Western scales Equal temperament
In music, a repeat sign is a sign that indicates a section should be repeated. If the piece has one repeat sign alone, then that means to repeat from the beginning, and then continue on (or stop, if the sign appears at the end of the piece). A corresponding sign facing the other way indicates where the repeat is to begin.
The phrase one-eyed royals is jargon referring to the three face cards showing only one eye: the Jack of Spades (J ♠), Jack of Hearts (J ♥) and King of Diamonds (K ♦). The faces depicted on these three cards are shown in profile, resulting in only one eye being visible. The variant form "one-eyed Jacks" excludes the King of Diamonds.
Latin jazz is jazz that employs Latin American rhythms and is generally understood to have a more specific meaning than simply jazz from Latin America. A more precise term might be Afro-Latin jazz, as the jazz subgenre typically employs rhythms that either have a direct analog in Africa or exhibit an African rhythmic influence beyond what is ...
In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker. This name derives from an assumption that the normal progression to the tonic, the ii-V-I turnaround (ii-V 7 to I ...