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Death Note Original Soundtrack III, released on June 27, 2007 (Japan), is the third soundtrack album for the anime series Death Note. The music was created by composer and musician Hideki Taniuchi and composer Yoshihisa Hirano. The tracks 1-21 were composed and arranged by Hideki Taniuchi, while the tracks 22-28 were composed and arranged by ...
Sound of Death Note is a soundtrack featuring music from the first Death Note film composed and arranged by Kenji Kawai. It was released on June 17, 2006, by VAP. Sound of Death Note the Last name is the soundtrack from the second Death Note film, Death Note the Last name. It was released on November 2, 2006.
Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
June 14, 2024 at 9:32 AM. WHEATON, Ill. (AP) — The most noticeable part of the cicada invasion blanketing the central United States is the sound — an eerie, amazingly loud song that gets in a ...
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Dazzle Ships is the fourth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 4 March 1983 by Virgin Records (under the guise of the fictitious Telegraph label). Its title and cover art allude to a painting by Vorticist artist Edward Wadsworth based on dazzle camouflage, titled Dazzle-ships in Drydock ...
Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.