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A chord progression can begin on either side of clave. In salsa "one" can be on either side of clave, because the harmonic progression, rather than the rhythmic progression is the primary referent. [34] When a chord progression begins on the two-side of clave, the music is said to be in two-three clave. The following guajeo is based on the ...
The Who are an English rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon.
Billie Eilish Pirate Baird O'Connell (/ ˈ aɪ l ɪ ʃ / EYE-lish; [1] born December 18, 2001) is an American singer and songwriter. She first gained public attention in 2015 with her debut single "Ocean Eyes", written and produced by her brother Finneas O'Connell, with whom she collaborates on music and live shows.
Despite their chart-topping dominance of rock charts, many of the duo's songs feature no guitar. [206] [253] Some listeners tend to question whether Twenty One Pilots constitute as rock, noting the duo generally neglect the use of guitar. However, it has started to become a more prominent instrument in more recent work. [206] [254] [255] [256]
All Things Must Pass is the third studio album by the English rock musician George Harrison.Released as a triple album in November 1970, it was Harrison's first solo work after the break-up of the Beatles in April that year.
Though the scale is not a chord, and might never be heard more than one note at a time, still the absence, presence, and placement of certain key intervals plays a large part in the sound of the scale, the natural movement of melody within the scale, and the selection of chords taken naturally from the scale. [8]
The remaining Beatles recorded a track around Lennon's basic song idea, but which had gaps they had to fill in musically. [19] Some chords were changed, and the arrangement was expanded to include breaks for McCartney and Harrison to sing extra lines. Harrison played slide guitar in the solo. [20]
Composers may use chord substitutions when they are basing a new jazz tune on an existing chord progression from an old jazz standard or a song from a musical; arrangers for a big band or jazz orchestra may use chord substitutions in their arrangement of a tune, to add harmonic interest or give a different "feel" to a song; and instrumentalists ...
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