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Donna Lee. "Donna Lee" is a jazz standard tune attributed to Charlie Parker, although Miles Davis has also claimed authorship. [1][2] Written in A-flat, it is based on the chord changes of the jazz standard "(Back Home Again in) Indiana". [1] Beginning with an unusual half-bar rest, "Donna Lee" is a very complex, fast-moving chart with a ...
Ernest Kaʻai (1881–1962) was considered by many to have been the [1] foremost ukulele authority of his time and is noted by some as being "Hawaii's Greatest Ukulele Player". Kaʻai, who was born in Honolulu, Hawaii, was said to have been the first musician to play a complete melody with chords. He was the son of Simon Kaloa Kaʻai, a ...
The rhythm changes is a 32-bar AABA form with each section consisting of eight bars, and four 8-bar sections. [ 9 ] In roman numeral shorthand, the original chords used in the A section are: a 2-bar phrase, I−vi−ii−V (often modified to I–VI–ii–V), played twice, [ 10 ] followed by a 4-bar phrase. In a jazz band, these chord changes ...
Labels. Verve. Lyle Joseph Ritz (January 10, 1930 – March 3, 2017) was an American musician, known for his work on ukulele and bass (both double bass and bass guitar). His early career in jazz as a ukulele player made him a key part of the Hawaii music scene in the 1950s. By the 1960s, he had begun working as a session musician, more often on ...
Jazz chord. Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [1] For example, if a tune is in the key of C ...
Johnny Mercer. " Satin Doll " is a jazz standard written by Duke Ellington and Billy Strayhorn with lyrics by Johnny Mercer. [1] Written in 1953, the song has been recorded by Ella Fitzgerald, Carmen McRae, Billy Eckstine, Nancy Wilson, Bobby Short, and many other vocalists. As an instrumental, it has been recorded by hundreds of jazz artists. [2]
Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...