Search results
Results From The WOW.Com Content Network
Since motion dazzle patterns would make animals more difficult to locate accurately when moving, but easier to see when stationary, there would be an evolutionary trade-off between motion dazzle and crypsis. [123] An animal that is commonly thought to be dazzle-patterned is the zebra.
Furthermore, moving one's eyes away from the image after a period of time may result in a brief, strong afterimage of a circle of green spots. Troxler's fading , also called Troxler fading or the Troxler effect , is an optical illusion affecting visual perception .
Motion camouflage is camouflage which provides a degree of concealment for a moving object, given that motion makes objects easy to detect however well their coloration matches their background or breaks up their outlines. The principal form of motion camouflage, and the type generally meant by the term, involves an attacker's mimicking the ...
Oil on canvas. Dimensions. 304.8 cm × 243.8 cm (120.0 in × 96.0 in) Location. National Gallery of Canada, Ottawa. Dazzle-ships in Drydock at Liverpool is a 1919 oil painting by the English artist Edward Wadsworth. It is one of Wadsworth's most famous paintings [ 1 ] and depicts a freshly painted vessel with dazzle camouflage in dry dock.
Richard Phillips Feynman (/ ˈ f aɪ n m ə n /; May 11, 1918 – February 15, 1988) was an American theoretical physicist, known for his work in the path integral formulation of quantum mechanics, the theory of quantum electrodynamics, the physics of the superfluidity of supercooled liquid helium, as well as his work in particle physics for which he proposed the parton model.
Glare can be generally divided into two types, discomfort glare and disability glare. [1] Discomfort glare is a psychological sensation caused by high brightness (or brightness contrast) within the field of view, which does not necessarily impair vision. [2]
Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
Each ship's dazzle pattern was unique to make it more difficult for the enemy to recognize different classes of ships. As a result, a profusion of dazzle schemes were tried, and the evidence for their success was at best mixed. Dazzle camouflage patterns used on destroyers are presented here; Measures 31, 32 and 33 referred to dark, medium and ...