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Attila Zoller. Categories: Free jazz musicians by instrument. Jazz guitarists by genre.
Instrument. Guitar. Years active. 1982–present. Labels. Blue Note / Capitol / EMI, Arista /BMG, Mack Avenue. Website. www .stanleyjordan .com. Stanley Jordan (born July 31, 1959) [ 1] is an American jazz guitarist noted for his playing technique, which involves tapping his fingers on the fretboard of the guitar with both hands.
Columbia, ARTizen, Peak, Heads Up. Website. www .peterwhite .com. Peter White (born 20 September 1954) is an English musician and composer who plays guitar, piano, accordion and harmonica. He is known for his 20-year collaboration with Al Stewart. [ 1]
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs. From the 1920s and 1930s Swing and big ...
This is an alphabetized list of musicians notable for playing or having played jazz piano. The piano has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the instrument's combined melodic, harmonic, and rhythmic capabilities [1
As players such as Bobby Broom, Peter Bernstein, Howard Alden, Russell Malone, and Mark Whitfield revived the sounds of traditional jazz guitar, there was also a resurgence of archtop luthierie (guitar-making). By the early 1990s many small independent luthiers began making archtop guitars. In the 2000s, jazz guitar playing continues to change.
Bob Baldwin; David Benoit; Alex Bugnon; Brian Culbertson; Eumir Deodato; Terry Disley; George Duke; Ronnie Foster; Jonathan Fritzén; Chris Geith; Tom Grant; Dave Grusin
Free jazz. Free jazz, or free form in the early to mid-1970s, [ 1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.
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