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Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.
Nesuhi Ertegün. " Giant Steps " is a jazz composition by American saxophonist John Coltrane. [1] It was first recorded in 1959 and released on the 1960 album Giant Steps. [2] The composition features a cyclic chord pattern that has come to be known as Coltrane changes. The composition has become a jazz standard, covered by many artists.
Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
A jam session is a relatively informal musical event, process, or activity where musicians, typically instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined arrangements, except for when the group is playing well-known jazz ...
He is the author of Inside Improvisation, a multi-volume series of instructional books with play-along CDs and videos, and another series of books about improvisation published by Advance Music. He is also the author of the book/CD set Sound Advice, published by Jamey Aebersold Jazz. He has recorded on the Blue Note, Red, Not Fat, Concord ...
“I was just weeks into learning alto sax when my teacher encouraged me to improvise, and I loved that great freedom to explore. Today my favorite thing in life is to make music with other people.
Jazz piano is a collective term for the techniques pianists use when playing jazz. The piano has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the instrument's combined melodic and harmonic capabilities. For this reason it is an important tool of jazz ...
He met pathologist and pianist Vincenzo Crucioli, who became a mentor. With drummer John Rae, his first group won Edinburgh International Jazz Festival Best Group award in 1981. At fourteen Smith won 'Best Soloist'. He attributes much of his early success to the tuition of Vincenzo Crucioli. Under additional clarinettist Jim O'Malley and ...