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Jazz and Indian classical music share some similarities, one of them being that they both involve improvisation. Musicians realised this and collaborations between Indian classical musicians and Western jazz musicians which had commenced in the 1940s led to the development of a new genre of music called Indo jazz consisting of jazz, classical ...
Indo jazz is a musical genre consisting of jazz, classical and Indian influences. Its structure and patterns are based on Indian music with typical jazz improvisation overlaid. While the term itself may be comparatively recent, the concept dates at least to the mid-1950s.
The band played acoustic fusion music which combined Indian music with elements of jazz. The band's name means, in English, "creative intelligence, beauty, and power." [5] In addition to fusing American and Indian music, Shakti also represented a fusion of the Hindustani and Carnatic music traditions, since Hussain is from the north region of ...
As he cemented his place and reputation in the city he popularised live jazz at Mumbai nightclubs. [8] [9] In 1979, along with Goan saxophonist Braz Gonsalves he formed the 'Indo-Jazz Ensemble', composing music on Indian classical scales and Jazz rhythms, incorporating Indian instruments like ghatam and thavil. [10]
His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences. McLaughlin's solo on "Miles Beyond" from his album Live at Ronnie Scott's won the 2018 Grammy Award for the Best Improvised Jazz Solo. [2]
Trilok Gurtu (born 30 October 1951) is an Indian percussionist and composer [1] whose work has blended the music of India with jazz fusion and world music. [2] [3] [4]He has worked with Terje Rypdal, Gary Moore, John McLaughlin, Jan Garbarek, Joe Zawinul, Michel Bisceglia, Bill Laswell, Maria João & Mário Laginha, Stefano Bollani and Robert Miles.
The history of the sitar in jazz, that is the fusion of the sounds of Indian classical music with Western jazz, dates back from the late-1950s or early-1960s when musicians trained in Indian classical music such as Ravi Shankar started collaborating with jazz musicians such as Tony Scott and Bud Shank.
From 1989 onwards, Mayer, who lived in north London, taught composition at Birmingham Conservatoire where he introduced the BMus Indian music course in 1997. [1] He continued to compose concert works (chamber, solo and orchestral) and to record jazz-fusion albums. [5] In March 2004, Mayer was hit by a motorist in North London and fatally injured.