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" Oh Daddy " is a song written by Christine McVie that was first performed by the British-American rock band Fleetwood Mac as the tenth song off their 1977 album Rumours.
The title adopts 1940s' hipster slang coined by Raye's friend, Ray McKinley, a drummer and lead singer in the Jimmy Dorsey band in the 1930s. McKinley kicked off certain uptempo songs by asking pianist Freddie Slack (nicknamed "Daddy") to give him a boogie beat, or "eight to the bar". McKinley, in a discussion with the jazz writer George Simon relates, "We were playing one of them (a boogie ...
" Comin' Home Baby " is a song originally written as an instrumental by Ben Tucker and first recorded by the Dave Bailey Quintet in 1961, and shortly thereafter by Herbie Mann.
Ella Mae Morse (September 12, 1924 – October 16, 1999) [1] was an American singer of popular music whose 1940s and 1950s recordings mixing jazz, blues, and country styles influenced the development of rock and roll. Her 1942 recording of "Cow-Cow Boogie" with Freddie Slack and His Orchestra gave Capitol Records its first gold record. In 1943, her single "Get On Board, Little Chillun", also ...
Personal life. Anderson lived at 724 E. 52nd Place from 1930 to 1945 (part of the 52nd Place Historic District). Ivie Anderson was born July 10, 1905, in Gilroy, California. [3] Although her mother's name is unknown, her father was Jobe Smith. From 1914 to 1918 (age nine to 13), Anderson attended St. Mary's Convent and studied voice.
Dominic James " Nick " LaRocca[1] (April 11, 1889 – February 22, 1961), was an American early jazz cornetist and trumpeter and the leader of the Original Dixieland Jass Band, who is credited by some as being "the father of modern jazz". [2] He is the composer of one of the most recorded jazz classics of all-time, "Tiger Rag". He was part of what is generally regarded as the first recorded ...
"All That Jazz" is a song from the 1975 musical Chicago. It has music by John Kander and lyrics by Fred Ebb, and is the opening song of the musical. The title of the 1979 film, starring Roy Scheider as a character strongly resembling choreographer /stage and film director Bob Fosse, is derived from the song. [1][2][3][4]
The Shape of Jazz to Come is the third album by the jazz musician Ornette Coleman. Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring the working quartet including himself, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins. [3] The recording session for the album took place on ...