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  2. Harmolodics - Wikipedia

    en.wikipedia.org/wiki/Harmolodics

    Harmolodics is a musical philosophy and method of musical composition and improvisation developed by American jazz saxophonist-composer Ornette Coleman. His work following this philosophy during the late 1970s and 1980s inspired a style of forward-thinking jazz-funk known as harmolodic funk. [1] It is associated with avant-garde jazz and free ...

  3. Jazz improvisation - Wikipedia

    en.wikipedia.org/wiki/Jazz_improvisation

    Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...

  4. Coltrane changes - Wikipedia

    en.wikipedia.org/wiki/Coltrane_changes

    See media help. In the standard Coltrane change cycle the ii–V–I is substituted with a progression of chords that cycle back to the V–I at the end. In a 44 piece, each chord gets two beats per change. Coltrane developed this modified chord progression for "Countdown", which is much more complex.

  5. Outside (jazz) - Wikipedia

    en.wikipedia.org/wiki/Outside_(jazz)

    Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.

  6. George Russell (composer) - Wikipedia

    en.wikipedia.org/wiki/George_Russell_(composer)

    George Allen Russell (June 23, 1923 – July 27, 2009) was an American jazz pianist, composer, arranger and theorist. He is considered one of the first jazz musicians to contribute to general music theory with a theory of harmony based on jazz rather than European music, in his book Lydian Chromatic Concept of Tonal Organization (1953). [ 1]

  7. ii–V–I progression - Wikipedia

    en.wikipedia.org/wiki/Ii–V–I_progression

    The ii–V–I progression ("two–five–one progression") (occasionally referred to as ii–V–I turnaround, and ii–V–I) is a common cadential chord progression used in a wide variety of music genres, including jazz harmony. It is a succession of chords whose roots descend in fifths from the second degree ( supertonic) to the fifth ...

  8. Aja (song) - Wikipedia

    en.wikipedia.org/wiki/Aja_(song)

    Aja (song) " Aja " is a jazz rock song, with elements of jazz fusion and progressive rock, by the American rock band Steely Dan (by that time, Walter Becker and Donald Fagen) from the album of the same name, their sixth studio album, released in 1977. Composers Becker and Fagen play guitar and synthesizer, respectively, with studio musicians ...

  9. Neoclassicism (music) - Wikipedia

    en.wikipedia.org/wiki/Neoclassicism_(music)

    Neoclassicism (music) Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction ...

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