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1940. Trumpeter Dizzy Gillespie was one of the leading figures of bebop. Standards composed by him include "A Night in Tunisia" (1942), "Woody N' You" (1942), and "Groovin' High" (1944). "After Hours" [ 4] is a song composed by Avery Parrish with lyrics by Robert Bruce and Buddy Feyne.
2010s. v. t. e. Charlie Christian. In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular music towards a more challenging "musician's music." Differing greatly from swing, early bebop divorced itself from dance music, establishing itself more ...
Number ones. Bing Crosby had the highest number of hits at the top of the Billboard number-one singles chart during the 1940s (9 songs). In addition, Crosby remained the longest at the top of the Billboard number-one singles chart during the 1940s (55 weeks). Jimmy Dorsey remained at the top of the Billboard number-one singles chart for 32 weeks.
Pop. Bing Crosby was the best selling pop artist of the 1940s. Ragtime, a genre that first became popular in the 1890s, was popular through about the 1940s. After its best-known exponent, Scott Joplin, died in 1917, the genre faded. As the 1920s unfolded, jazz rapidly took over as the dominant form of popular music in the United States.
The "Great American Songbook" is the canon of the most important and influential American popular songs and jazz standards from the early 20th century that have stood the test of time in their life and legacy. Often referred to as "American Standards", the songs published during the Golden Age of this genre include those popular and enduring ...
The sound of jazz, along with musicians such as Armstrong, helped shape Hughes as a writer. Just like the musicians, Hughes wrote his words with jazz. [59] Armstrong changed jazz during the Harlem Renaissance. As "The World's Greatest Trumpet Player" during this time, [60] Armstrong cemented his legacy and continued a focus on his vocal career ...
Songs by total number of weeks at number-one. The following songs were featured in top of the chart for the highest total number of weeks during the 1950–1958. 13. "Goodnight Irene". Gordon Jenkins and The Weavers. 11. "Don't Be Cruel" / "Hound Dog".
The song is arguably the most recorded popular song, and one of the top jazz standards. Billboard magazine conducted a poll of leading disk jockeys in 1955 on the "popular song record of all time"; four different renditions of "Stardust" made it to the list, including Glenn Miller's (1941) at third place and Artie Shaw's (1940) at number one ...
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