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Donna Lee. "Donna Lee" is a jazz standard tune attributed to Charlie Parker, although Miles Davis has also claimed authorship. [1][2] Written in A-flat, it is based on the chord changes of the jazz standard "(Back Home Again in) Indiana". [1] Beginning with an unusual half-bar rest, "Donna Lee" is a very complex, fast-moving chart with a ...
Shuffle Boil. A 32-bar tune in AABA-form, with an unusual bass ostinato. The title is a corruption of "shuffle ball", which is a move commonly used in tap dance. It was first recorded by Gigi Gryce with Monk as a sideman on October 15, 1955, for Gryce's album Nica's Tempo, [25] and later appears on It's Monk's Time.
O'Hagan started writing his own songs in 1916 with "Along the Road to Gundagai" appearing in 1922 on Allans Music which was written for voice and piano, with ukulele chords. [6] It was first recorded by Peter Dawson in 1924 in London before selling some 40,000 to 50,000 copies in its first three months. [ 2 ]
The rhythm changes is a 32-bar AABA form with each section consisting of eight bars, and four 8-bar sections. [ 9 ] In roman numeral shorthand, the original chords used in the A section are: a 2-bar phrase, I−vi−ii−V (often modified to I–VI–ii–V), played twice, [ 10 ] followed by a 4-bar phrase. In a jazz band, these chord changes ...
Milestones (instrumental composition) "Milestones" is a jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. "Milestones" is the first example of Miles composing in a modal style and experimentation in this piece led to the writing of "So What" from the 1959 album Kind ...
Minor seventh chords are often played in first inversion in this tune, and may therefore be thought of and notated as six chords of the relative major. Rhythmically "Moonglow" is in 4 4 time. It is a foxtrot, typically played at a slow tempo, although some performers, notably Art Tatum, have played it faster. The rhythm is syncopated.
Labels. Verve. Lyle Joseph Ritz (January 10, 1930 – March 3, 2017) was an American musician, known for his work on ukulele and bass (both double bass and bass guitar). His early career in jazz as a ukulele player made him a key part of the Hawaii music scene in the 1950s. By the 1960s, he had begun working as a session musician, more often on ...
The Penguin Guide to Jazz states: " 'Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." [8] In a musical analysis of Adderley's improvisational bebop style, Kyle M. Granville writes that the song is "connected to the soul-jazz style that Nat Adderley and his brother Cannonball Adderley immersed themselves into during the ...