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James Abbott McNeill Whistler, Nocturne in Black and Gold – The Falling Rocket, 1874 [1][2] The depiction of night in paintings is common in Western art. Paintings that feature a night scene as the theme may be religious or history paintings, genre scenes, portraits, landscapes, or other subject types. Some artworks involve religious or ...
The work is in the key of B major, and its duration is about 9 minutes.There is a calm atmosphere throughout. After a simple introduction in octaves, there is a long section, featuring a winding melody over a pedal note of F ♯ which gives a sense of anticipation; eventually this gives way to a more animated section.
Fêtes ("Festivals") III. Sirènes ("Sirens") Nocturnes, L 98 (also known as Trois Nocturnes or Three Nocturnes) is an Impressionist orchestral composition in three movements by the French composer Claude Debussy, who wrote it between 1892 and 1899. It is based on poems from Poèmes anciens et romanesques (Henri de Régnier, 1890).
The more than 260 footprints researchers studied were found impressed into mud and silt along ancient rivers and lakes, with more than 3,700 miles separating the ones in South America and Africa ...
Nocturnes (Chopin) Frédéric Chopin wrote 21 nocturnes for solo piano between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. [1] Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form ...
1953 - Second prize for the song "Fly Aloft the Friendship Banner" at the 2nd World Festival of Youth and Students in Bucharest; 1956 - Order of the Red Banner of Labour [3] 1956 - Meritorious Artist of the Armenian SSR; 1962 - People's Artist of the Armenian SSR; 1967 - Armenian SSR State prize for "6 pictures" for piano solo
James Abbott McNeill Whistler RBA (/ ˈwɪslər /; July 10, 1834 – July 17, 1903) was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake".
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