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Dazzle camouflage. Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John ...
Today scam letters are a general part of electronic life, ending up in mailboxes in hordes. Types Lottery scam letter. Based on mostly the same principles as the Nigerian 419 advance-fee fraud scam, this scam letter informs recipients that their e-mail addresses have been drawn in online lotteries and that they have won large sums of money ...
User-generated database of comparison between original tracks and covers, or songs that use samples. 460,000. 150,000. SIMUC. Chilean music and musicians. SIMUC is a Non-profit organisation that collects data on composers, academics, institutions, people and other topics related to classical music and Chile .
When Bryce Dessner got a call asking to score the music for “Manhunt,” Apple TV+’s thrilling limited series about the search for John Wilkes Booth after Abraham Lincoln’s assassination, it ...
Jazz Review. Jazz Review was a Scottish jazz magazine, founded in 1998. The founders were jazz writer (and former editor of The Wire) Richard Cook and Roger Spence of the talent management agency Direct Music Limited of Edinburgh, Scotland. Jazz Review covered the entire range of jazz history from early jazz through swing to bebop, modern jazz ...
This template provides a brief summary and overview of the critical consensus of song and album reviews. It is used to display only brief and objectively-verifiable ratings, such as " ", "B+", or "7/10". It cannot capture the general sense of a review that does not include any kind of scale, so do not include language like "Very favorable" or ...
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The Jazz Review was a jazz criticism magazine founded by Nat Hentoff and Martin Williams in New York City in 1958. It was published until 1961. Hentoff and Williams were co-editors throughout its brief existence (which lasted 22 issues). Many issues of The Jazz Review are available at Jazz Studies Online, which assesses its quality as follows: