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Morton was a crucial innovator in the evolution from the early jazz form known as ragtime to jazz piano, and could perform pieces in either style; in 1938, Morton made a series of recordings for the Library of Congress in which he demonstrated the difference between the two styles. Morton's solos, however, were still close to ragtime, and were ...
He cites various jazz performers for the natural quality of their sound production, sound that makes each performer readily identifiable. A final brief section in this chapter, on improvisation, states that group improvisation, a hallmark of early jazz, is a distinctively African practice. Schuller counters a variety of other theories of the ...
The Jazz Age was a period in the 1920s and 30s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily ...
In the 1920s, women singing jazz music were not many, but women playing instruments in jazz music were even less common. Mary Lou Williams, known for her talent as a piano player, is deemed as one of the "mothers of jazz" due to her singing while playing the piano at the same time. [4] Lovie Austin (1887–1972) was a piano player and bandleader.
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references ...
1916: Major N. Clark Smith taught at Lincoln High School, Kansas City.From 1922 he taught at Wendell Phillips High School in Chicago.: 1917: A Victor record (Vic catalog no. 18255), "Livery Stable Blues" (side A; matrix/take 19331-1) and "Dixieland Jass Band One-Step" (side B; matrix/take 19332-3), recorded February 16, 1917 (one hundred and seven years ago), at Victor's studio in Manhattan at ...
The first jazz recording was made by Sidney Bechet in 1954 under the title "La Complainte de Mackie". Louis Armstrong's 1955 version established the song's popularity in the jazz world. [88] It is also known as "The Ballad of Mack the Knife". [88] "Nagasaki" [89] is a jazz song composed by Harry Warren with lyrics by Mort Dixon.
Acid jazz (also known as club jazz, psychedelic jazz, or groove jazz) is a music genre that combines elements of funk, soul, and hip hop, as well as jazz and disco. Acid jazz originated in clubs in London during the 1980s with the rare groove movement and spread to the United States, Western Europe, Latin America and Japan.