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Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
Improvisation Advisor. The philosophy of Impro-Visor is to provide a tool to help musicians construct jazz solos over chord progressions. It includes a database capability for creating, saving, and recalling licks, as well as a lick generation capability based on a user-modifiable grammar.
Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.
Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [ 1] For example, if a tune is in the key of C, if there ...
Play ⓘ. A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7 [7] (which could also be called ♭ V 7 /V, subV 7, [7] or V 7 / ♭ V [7] ). For ...
Sheets of sound. Sheets of sound was a term coined in 1958 by DownBeat magazine jazz critic Ira Gitler to describe the new, unique improvisational style of John Coltrane. [1] [2] Gitler first used the term on the liner notes for Soultrane (1958). [3]
Free jazz, or free form in the early to mid-1970s, [ 1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that ...
In jazz harmony, a So What chord is a particular 5-note chord voicing. From the bottom note upwards, it consists of three perfect fourth intervals followed by a major third interval. It was employed by Bill Evans in the "'amen' response figure " [1] to the head of the Miles Davis tune "So What". For example, an "E minor" So What chord is an Em ...